1992 – 1996, B.A. in Policy Management, Keio University, Kanagawa, Japan.
2005 – 2007, Digital Arts and Experimental Media Ph.D. program, University of Washington, Seattle, WA, USA (officially withdrawn in 2008).
2014 – 2015, Visiting Researcher, Graduate School of Media Design, Keio University, Kanagawa Japan.
2015 – 2016, Research Fellow, Imagineering Institute,Johor Bahru, Malaysia.
2016 – 2020, Assistant Professor, Dept. of Industrial Design, Chang Gung University, Taoyuan, Taiwan.
2020 – present, Assistant Professor, School of Creativity and Art, ShanghaiTech University, Shanghai, China
Programming Language Design/Development for Creative Computing, Digital Arts, Computer Music, Live-Coding, New Interfaces for Music Expression, Interaction Design, Human Compute Interaction, Creative Inquiry by Research through Design.
1. H. Nishino & R. Nakatsu, Computer Music Languages and Systems: The Synergy between Technology and Creativity
The Handbook of Digital Games and Entertainment Technologies, Springer, 2015 Dec. pp.1-49.
2. H. Nishino, LC:AMostly-strongly-timedPrototype-basedComputerMusicProgramming, Language that Integrates Objects and Manipulations for Microsound Synthesis, Ph.D. Thesis, National University of Singapore. 2014.
3. H. Nishino, Oberhausen Requiem, The Mono@Gasometer Competition DEGEM (Deutche Gesellschaft Fur Elektroakustische Musik), 2007/The 1st Leonardo Art/Science Student Contest, 2008
4.H. Nishino, Ardestan: A Visual Programming Language for Arduino, The ACM Symposium on User Interface Software and Technology (UIST), New Orleans, Louisiana, USA 2019 Oct.
5. H. Nishino,A Shape-free Designable 6DoF Marker Tracking Method for Camera-based Interaction in Mobile Environment, The 18th ACM International Conference on Multimedia (ACM MM 2010), Florence, Italy, 2010 Oct. pp.1055-1058